November (2017)
Seansile teeb sissejuhatuse folklorist Marju Kõivupuu Celebrating 20 years of Homeless Bob Production
Sügise algusest sügise lõpuni kestab Sõpruses Homeless Bobi 20. tegutsemisaastat tähistav retrospektiiv, mille jooksul saab suurel ekraanil üle vaadata valiku Eesti sõltumatu autorikino tippteostest. Viies seanss toimub hingedepäeval kui vaatame ilmselt kõige ideaalsemat filmi, mis selleks päevaks Eesti filmiloos eales tehtud.
“November” on fantaasiafilm, mis põhineb Andrus Kivirähki armastatud romaanil “Rehepapp ehk November”. Lavastaja Rainer Sarneti käe all valminud “Novembrit” võib kirjeldada kui muinasjutufilmi täiskasvanutele, kus saavad kokku must huumor ja romantiline armastus.
Filmi tegevus toimub paganlikus Eesti külas, kus ahned ja juhmid külaelanikud pistavad rinda nii Katku, Vanapagana kui krattidega. Loo peategelane on noor talutüdruk Liina (Rea Lest), kes on lootusetult armunud külapoiss Hansu (Jörgen Liik). Hansule on aga silma jäänud hoopis imekaunis mõisapreili (Jette Loona Hermanis). Lisaks nõuab Liina isa (Arvo Kukumägi), et neiu läheks naiseks ropu suuvärgiga Endlile (Sepa Tom).
Celebrating 20 years of bold and fabulous auteur cinema by Homeless Bob Production. We will continue our retrospective on All Souls’ Day with the perfect film on that soulful evening: Rainer Sarnet’s “November”.
A young farm girl named Liina is hopelessly in love with Hans and she is willing to do anything to secure his affections… Estonian director Rainer Sarnet’s film is set in a pagan Estonian community where werewolves roam, the greedy villagers steal whatever they can lay their hands on, they have to cope with the plague, and hovering over them all is an ensemble of kratts, peculiar creatures made of metal and wood. As in his previous film The Idiot, Sarnet has opted for a literary adaptation. After the Russian classic he decided to base his third film on the homespun novel Rehepapp, a book which has sat on the Estonian bestseller list for the last twenty years and is familiar to every inhabitant of this Baltic country. One of the most remarkable cinematic achievements in Estonian film history, November sees paganism blending with Christian mythology, the whole package seasoned with a sprinkling of malicious humour. For its outstanding black-and-white visuals the film secured Best Cinematography at New York’s Tribeca festival, where it received its world premiere.
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