Innocent Sorcerers (Niewinni czarodzieje) (1960)

Name: Innocent Sorcerers (Niewinni czarodzieje) (1960)
Start: 2026-10-22T18:00:00+03:00
End: 2026-10-22T23:59:59+03:00
Location: Kino Sõprus

Kino Soprus

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2026-10-22 Déjà commencé Vana-Posti tn 8, Tallinn, 10146, EE, Estonia 5,00–9,50 (EUR)

Seansile eelneb sissejuhatus. Andrzej Wajda 100

Andrzej Wajda sündis 6. märtsil 1926 Suwalki linnas Kirde-Poolas ja suri 90-aastasena Varssavis 9. oktoobril 2016. Tema käe all valmis ligi 60 filmi. Wajda oli autor, kes tegi Poola ajaloo ja poolakate lood maailmakuulsaks ning tema panusest oma rahva keerulise saatuse filmikeelde tõlgendamisel võiks ka eestlastel olla palju õppida. Neljanda filmina näitame 1960. aastal esilinastunud “Süütuid võlureid”, mis on justkui Richard Linklateri “Enne päikesetõusu”, kuid sedapuhku möödunud sajandi keskpaiga Varssavis.

Prantsuse uue laine tuules tehtud “Süütutes võlurites” näeme sõjajärgses Poolas sirguvate noorte boheemlaste sotsiaal-ja moraalinorme. Andrzej on noor arst, ehkki enam on ta pühendunud jazzbändis trummide tagumisele. Klubis tutvub ta linna külastava Magdaga ning koos veedetakse pikk öö täis osavalt hillitsetud flirti.

“Süütud võlurid” on Wajda karjääri üks erandlikumaid teoseid, milles ta kajastab esimest korda Poola kaasaegset elu ning noort generatsiooni, kellega tema ise tugevat sidet ei tundnud.

Kaasa teevad teiste seas ka Poola filmikunsti suurkujud Zbigniew Cybulski ja Jerzy Skolimowski (ühtlasi stsenaariumi autor). Filmi heliloojaks on Poola jazzi ristiisa Krzysztof Komeda, kes iseendana filmis ka üles astub.

He (T. Łomnicki) is a young sports doctor who plays jazz after hours. She (K. Stypułkowska) is a high school student who goes to the jazz club. They meet to play a male/female game for one night. They take pseudonyms (Basil and Pelagia), which seems to be like masks hiding their sensitivity. In fact, they are the title “innocent sorcerers” who try to “poison” their hope for love – as is stated in the quotation from Dziady, which was an inspiration for the filmmakers, when they’ve created the title. Protagonists agree on the scenario of their date: “a glass of vodka, first kiss, intelligent conversation and a bed, or rather a couch”. Then they move on to the “undress” game. Who will win and who will lose in the game? Who will be able to pretend indifference for the longest time?

The film is Andrzej Wajda’s response to the emerging new tendencies of contemporary moral cinema, namely the New Wave. After inviting Jerzy Andrzejewski to work on the script, he realized that an older generation writer would not be able to write credible dialogues between two young people. The help of Jerzy Skolimowski, then a young poet and boxer, who only became involved in film after this experience, turned out to be irreplaceable. In addition to dialogues, the new wave atmosphere of the film was created by a jazz composition by Krzysztof Komeda. Apart from Komeda, the film featured music by Andrzej Trzaskowski (trumpet) – the leader of “Jazz Believers”, Andrzej Wojciechowski (saxophone) – from the “Melomani” band, Jan Zylber (perscussion). Roman Polański (double bass) played the role of the band’s leader. The song “Była pogoda” (music by K. Komeda) is performed by Sława Przybylska.