I Want To Be A Plastic Chair (1000-Day Anniversary Special Screening)
Director: Ao Ieong Weng-Fong, Anna Ieong
Cast: Wong Hin Yan, Anna Ieong, Mok Ka Hou
Language: Cantonese
Special screening with two additional brand new short films directed by Ao Ieong Weng-Fong and Anna Ieong.
Special screening souvenir: I want to be a little red chair (app. 4cm H), A3 double-side poster (including both poster designs).
With minutes after-screening Q&A, Ao Ieong Weng-Fong will attend the 5 Sep screening. Wong Hin Yan & Anna Ieong will attend both screenings.
1) I Want To Be A Plastic Chair (Macau/ Director: Ao Ieong Weng-Fong/ 2023/ 80’)
People would say, how much they wished to reincarnate as a human in their next life. But for Ming, he merely wanted to become a red plastic chair. He feels dejected and is faint-hearted, living a life of worthlessness day in day out. Arriving home after a long working day, he only finds himself in another hellish nightmare, for he shares a room with his younger sister, who is always getting laid with her boyfriend.
Ming has nowhere to hide and the unspeakable secret about his family would disturb his sleep oftentimes. As a way out, he decided to find a new home and came across Jenny, a real estate agent. The two of them seemed at odds with one another but developed a friendly understanding and became rather compatible over time. In the eyes of Ming, when will life come to an end? Every day is just a ceaseless whirlpool of misfortune.
2) A Way To The End (Macau/ Director: Ao Ieong Weng-Fong/ 2026/ 11’30)
One night, I witnessed the killing of a stray cat downstairs, which stirred up a memory of something that had passed and I could not express. I turned it into images as a way to the end.
3) Ciao (Macau & Taiwan/ Anna Ieong/ 2026/ 14’30)
Bound by an irreparable loss, he lives on day by day, carrying the way she once saw the world. He accompanies the friends around him through the final journey of life, yet can never escape the moment frozen in time. As his life reaches its twilight, somewhere between dream and waking, he meets her once more. This time, they walk side by side toward the unknown.
是次特典場,特別加映導演和女主角分別執導的最新短片作品。
特典場禮物包括:「來世還作紅色小櫈」(約4cm高)、A3雙面海報 (包括兩款海報樣式) 各乙份。
設映後分享,歐陽永鋒導演出席9月5日場次;黃衍仁和楊螢映出席兩場放映。
1)《來世還作人》(澳門/歐陽永鋒導演/2023/80’)
都說來世投胎還作人,青年阿明 (黃衍仁飾)卻只想作一張任人搬移踩坐的紅色膠凳。阿明頹喪怯懦,過著一無是處的生活,打工日漫長,回家更是修羅場。同房妹妹與男伴 (莫家豪飾)日日翻雲覆雨,逼得他無處可逃,不可告人的家庭祕辛更不時擾人清夢。為了另尋新居,他意外結識地產經紀阿娟 (楊螢映飾),兩人乍看劍拔弩張,實則惺惺相惜。生活彷彿永無止盡的漩渦,此生到底何時才是個頭?
改編自導演創作的短篇小說,以仙姑助人投胎為荒誕引子,揮灑另類風格,奔放詭奇狂想與視覺奇觀。奇異幻象漫入洶湧配樂,營造虛實遊走、不可捉摸的神祕基調。黃衍仁演活喪世代青年的心路茫茫,大開腦洞之餘,也道盡青年與家庭的恆久羈絆,以及對生存與空間的奮力吶喊。楊螢映曾奪香港舞台劇獎最佳女主角,躍上大銀幕同樣光芒四射。
2)《一種終結的方式》(澳門/歐陽永鋒導演/2026/11’30)
某夜凌晨,目睹樓下街貓被殺事件,勾起我對某段逝去、卻無法去言語的記憶。我將之化成影像,作為終結的一個儀式。
3)《Ciao》(澳門及台灣/楊螢映導演/2026/14’30)
他因無法彌補的失去,帶著她留下的觀看方式,一天一天地活著。他陪伴身邊的友人,走完人生最後的旅程,卻始終無法擺脫那個被時間定格的瞬間。當生命步入終點,他在夢與醒之間再度與她相逢。這一次,他們肩並肩,緩緩走向未知的彼岸。
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